Kazuaki Koseki
Kazuaki Koseki is a fineart japanese photographer born in 1977, Yamagata Prefecture, and based in Japan.
Koseki grew up in a family-run photography studio and has been immersed in photography since childhood. He now continues the family business while pursuing his own creative work, focusing on the natural landscapes of Tohoku.Venturing into mountains, forests, and rivers, he hones his senses through photography, exploring the philosophical relationship between humans and nature. His body of work, including the acclaimed series “Hotarubi -Summer Fairies-“, is dedicated to capturing the essence of Yamagata and the wider Tohoku region.
Available Works
Awards
Wildlife Photographer of the Year 2021,
Photolucida Critical Mass Top 50 (2023, 2024),
LensCulture Critics’ Choice 2024 Top 10 (selected by Megan Wright [Saatchi Art] / Paolo Woods [Cortona On the Move] / 2021 Chris Pichler [Nazraeli Press]),
Sony World Photography Awards 2025 Professional Shortlist,
Earth Photo 2025 Shortlist,
BigPicture Natural World Photography Competition (2021, 2023, 2024),
Nature’s Best Photography International Photo Awards, etc.
Exhibitions & Publications
Solo exhibition “Forest of Misty Vision” (2022, Fujifilm Photo Salon, Tokyo, Osaka).
Other exhibitions at the World Economic Forum (Davos, Switzerland), Natural History Museum London (UK), California Academy of Sciences (USA), Photo London(UK),as well as in the USA, UK, France, Italy, Hungary, Brazil, and Russia.
Featured in National Geographic, Harvard Business Review, Aesthetica Magazine, among others.
Published the art book “Forest of Misty Vision” (TOSEI Publishing Co.)
Artist Statement
Photography, for me, is an act of listening — to the quiet rhythm of life that flows beneath visible forms.
Through the lens, I try to trace the pulse of existence: the moment when light, air, and memory converge.
The landscape is never merely scenery.
It breathes, decays, and regenerates — as we do.
Each image is born from the encounter between the inner and outer world, between my own consciousness and the earth’s timeless cycle.
I am drawn to the impermanence of things — mist dissolving into air, a leaf turning to flame, snow becoming water again.
Within these transformations, I sense the memory of all beings: the endless interconnection of light and life.
My work is rooted in Yamagata, in northern Japan — a land shaped by snow, mountains, and silence.
In this region, the unique topography gives rise to landscapes where the breath of countless living species can be felt.
The deeper I venture into the forests, the more I perceive traces of time that nature itself has inscribed —
and the remnants of a profound bond that must have once existed between humans and the natural world.
To me, that continuity is nature itself.
From this place, I explore the dialogue between human presence and nature’s vast continuity — between what changes and what endures.
Photography, in this sense, is not a means of preservation but of participation.
It allows me to enter the current of time itself, to recognize that we, too, are part of this ever-returning cycle —
the cycle of being.